Students will have the opportunity to:
These can be split into three categories:
Topics include the language of Film, mise-en-scene, costume, music, cinematography, lighting and camera movement. These are studies in the context of the prescribed film for the Film SL course. These films include Psycho, Breathless, The 400 Blows, Ikiru, The Good the Bad and the Ugly, Blade Runner, Pan's Labyrinth, Children of Men and Metropolis.
Film history and theory
Topics include early cinema, German expressionism, musicals of the 30s and 40s, Italian neo-realism, film noir, French new wave, Japanese cinema, Mexican cinema, gender theory, auteur theory, Marxist cinema, and psychoanalytical film theory.
There are several practical production projects. These short films (1-2 minutes) usually focus on a particular area of the creative process, such as lighting, editing, how to film a dinner table conversation, diegetic and Foley sound, and the visual interpretation of a poem.
Every activity has its own assessment rubric. Students may create a one-minute video without dialogue that includes at least two characters and a dinner table; create a Twilight Zone film where a character transitions between different places and time periods that are unconnected in reality; recreate a scene from a favourite film; film the same location twice (the second time light and design the location to recreate a place typical of a chosen genre of film); record an analysis of how film language creates meaning in a five-minute extract from a film; create a storyboard; or create a map showing camera placement, lighting, and actor movement in a scene.
In order to succeed, we recommend students set aside five to six hours a week.
Students will need a video camera or DSLR that has manual focus, a sturdy tripod and editing software such as iMovie, Final Cut or Premiere, as basic requirements. A lighting kit and recording device (handheld or microphone) would be excellent additions.
Taking Film SL online will enable students to: